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Sound Device 788T+CL8

Internal 250 GB, SSD HD

Sampling rate select-able up to 96 kHz

Eight mic/line inputs, each controlled with front panel, pop-out gain controls

Twelve recording tracks •

Each input has solo monitoring, 48 V phantom, limiter, polarity reverse, highpass, adjustable delay, selectable pan

8 x 2 mix assignment

Backlit LCD display viewable in any environment

8 x 13-segment Peak/VU meters with arm LED

Word clock in and out with video sync support

Full +24 dBu analog line-level outputs

Time code generator supports all data rates

Internal Li-ion battery holds time code for six hours with no attached power

CompactFlash slot with ultra-high-speed UDMA support

Powered by removable Li-ion rechargeable battery. •

FireWire 400/800 and USB 2.0 for ultra-fast connection of CF and HDD to computer

External DC power input operates unit and charges Li-ion battery

Sound Device 633

Six analog inputs (3+3)

+12, +48, and +10V Digital Phantom Power

Three full-featured mic/line preamps plus three line-level inputs, each with dedicated front-panel faders and PFLs

10-track recording, polyphonic or monophonic broadcast WAV files @ 24-bit 48 kHz (96 kHz and 192 kHz sampling for 6 tracks), time code stamped MP3

Simultaneous or independent recording to SD and CompactFlash card

6 mix buses, left/right main plus Aux 1/2/3/4

Accurate Time Code Master Clock generator and reader, 0.5 frame per day accuracy

USB Keyboard connection for quick and easy metadata entry.

Input delay selectable on all six inputs plus output bus delay on all six buses.

Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 5.6”

Weight: 1.1 kg ( without batteries)

Sound Devices 302 Audio Mixer

Powered by 3 AA batteries or external 5 – 18 VDC

3 transformer-balanced mic or line-level inputs

Lundahl transformer-balanced mic or line level inputs on XLR connectors

Continuously adjustable input trim

2-position highpass filter

Pan switches

Limiters on inputs and outputs

Stereo and MS linking of channel 1 and 2

Phantom (48V or 12V) or “T” microphone powering selected per channel

Solo (PFL) channel monitoring in headphones

Peak limiters per channel

Tape level output on TA3 locking connectors

Active-balanced line/tape/mic level outputs on XLR connectors

Stereo tape level output on TA3 connector

Return input for monitoring

Channel 4/5 input option

Weight less than 1 kg with batteries

Zoom H1 Ultra-Portable Digital Audio Recorder

  • X/Y Stereo Mic
  • Records WAV and MP3 up to 24-bit/96kHz
  • WAV: 44.1 / 48 / 96kHz, 16- / 24-bit
  • MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
  • Records to microSD (16MB – 2GB)/SDHC (4GB – 32GB)
  • 3.5mm I/O
  • High-Speed USB 2.0 Connectivity
  • Backlit LCD Display
  • Built-In Speaker
  • Uses 1 AA Battery
  • Threaded Tripod Mount Socket
  • Dimensions:44(W) x 136(D) x 31(H)mm
  • Weight: 60g (without batteries

Wendt Analog Audio Mixer

Analog Wendt Audio Mixer.

Available both 4 and 5 input channel devices.

 

Lectrosonics Plug-On Wireless Transmitter

Transmits on Block 26

For Broadcast, EFP and ENG Applications

Accepts Mic or Line-Level Signals

Low Frequency Roll-Off

Powered by Two AA Batteries

Built-In Antenna

Sanken Microphone

Overcomes digital transmitter RFIGreat Clear and Rich Sound

Great Clear and Rich Sound

3 Color Choices Black, White and BeigeImproved Moisture Resistance

Improved Moisture Resistance

Optimised for the Human Voice

Available for both Lectrosonic and Sennheiser Wireless Systems.

Sennheiser ew 100-ENG G3

42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception.

Enhanced frequency bank system with up to 12 compatible frequencies

Adaptive-diversity reception for high reception quality

Pilot tone squelch for eliminating RF interference when transmitter is turned off

Enhanced AF frequency range

Increased range for audio sensitivity

Transmitter and receiver feature battery indication in 4 steps.

Powered by 4 AA batteries (for both the transmitter and the receiver).

 

 

 

Sennheiser 416 Shotgun microphone

Short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications.

Dimensions Ø 19 x 250 mm

Frequency response (Microphone)40 – 20000 Hz

Sensitivity in free field, no load (1kHz) 25 mV/Pa +- 1 dB

Sennheiser G2

The EW 100-ENG G2 system is ideal for video recording in the most varied recording situations.

The ME 2 clip-on microphone is virtually invisible.

The extremely small SK 100 G2 bodypack transmitter as well as the EK 100 G2 camera receiver feature nine frequency banks with four directly accessible presets each – ready for immediate use

XLR Adaptor Kit XLR-K2M

  • Two high-performance XLR-input microphone channels
  • Multi Interface Shoe compatible
  • Comprehensive audio controls for each channel
  • Mic/Line input selector
  • Built-in microphone holder for supplied ECM-XM1 microphone
  • Supplied windscreen effectively reduces wind noise
  • Zippered carrying case

K-Tek Booms

Various sizes and modifications – boom poles from K-Tek leading company.

 

Various Boom Mic Covers

The Modular Windshield System offers various levels of wind protection and maximum shock isolation. Available in complete, comprehensive kits, modular components. The available configurations enable almost any microphone to be shock-mounted while offering varying degrees of wind protection.