Sound

Six analog inputs (3+3)

+12, +48, and +10V Digital Phantom Power

Three full-featured mic/line preamps plus three line-level inputs, each with dedicated front-panel faders and PFLs

10-track recording, polyphonic or monophonic broadcast WAV files @ 24-bit 48 kHz (96 kHz and 192 kHz sampling for 6 tracks), time code stamped MP3

Simultaneous or independent recording to SD and CompactFlash card

6 mix buses, left/right main plus Aux 1/2/3/4

Accurate Time Code Master Clock generator and reader, 0.5 frame per day accuracy

USB Keyboard connection for quick and easy metadata entry.

Input delay selectable on all six inputs plus output bus delay on all six buses.

Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 5.6”

Weight: 1.1 kg ( without batteries)

12 Input Field Production Mixer with 16 track recorder and auto-mixing

• 8 channels, 6 buses, 12 tracks
• 6 analog outputs
• Ultra-accurate timecode
• 256 GB internal SSD, 2 SD card slots
• USB-A and C ports for SD-Remote app, linear fader control via MCU, keyboard, and file transfer
• Dugan Automixing/MixAssist for up to 8 channels

the MixPre-10T is a 10-input recorder with built-in timecode generator and reader,

offering up to 12 tracks of polyphonic WAV file recording – ideal for production sound mixers,

field recordists, sound designers, and musicians.

• Kashmir Microphone Preamps
• USB Audio-Recording Interface
• Small Stature Fits Most Environments
• Navigation with Basic and Advanced Modes
• Ring LED Metering per Channel
• Built-In 1/4″-20 Mount for Videographers
• Feed Timecode via HDMI & 1/8″ Inputs
• Uses AA or Sony L-Mount Li-Ion Batteries
• MX-4AA Battery Sled (No Batteries)
• 2 x USB Type-A to 1 x USB Type-C Y-Cable

Input Controller for 688 and 664 Field Mixers.

Adds dedicated front panel controls for inputs 7-12 of the 688 and 664 mixer.

Also offers LED output meters and additional recording controls.

Powered by 3 AA batteries or external 5 – 18 VDC

3 transformer-balanced mic or line-level inputs

Lundahl transformer-balanced mic or line level inputs on XLR connectors

Continuously adjustable input trim

2-position highpass filter

Pan switches

Limiters on inputs and outputs

Stereo and MS linking of channel 1 and 2

Phantom (48V or 12V) or “T” microphone powering selected per channel

Solo (PFL) channel monitoring in headphones

Peak limiters per channel

Tape level output on TA3 locking connectors

Active-balanced line/tape/mic level outputs on XLR connectors

Stereo tape level output on TA3 connector

Return input for monitoring

Channel 4/5 input option

Weight less than 1 kg with batteries

Analog Wendt Audio Mixer.

Available both 4 and 5 input channel devices.

• Modular Mic and Input System
• Includes XY Microphone Module
• Includes Mid-Side Microphone Module
• Four XLR/TRS Inputs
• Record up to 6 Simultaneous Channels
• Record up to 24-bit/96kHz Audio
• Doubles as USB Audio Interface
• Uses SDXC Memory Cards
• Optional Shotgun Mic and XLR/TRS Inputs
• Optional Hot Shoe Mount

• X/Y Stereo Mic
• Records WAV and MP3 up to 24-bit/96kHz
• WAV: 44.1 / 48 / 96kHz, 16- / 24-bit
• MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
• Records to microSD (16MB – 2GB)/SDHC (4GB – 32GB)
• 3.5mm I/O
• High-Speed USB 2.0 Connectivity
• Backlit LCD Display
• Built-In Speaker
• Uses 1 AA Battery
• Threaded Tripod Mount Socket
• Dimensions:44(W) x 136(D) x 31(H)mm
• Weight: 60g (without batteries

• Two Neutrik Combo XLR / ¼” Inputs
• Loop Back for Playback Monitoring
• 3.5mm Jack for Connecting to Camera
• Headphone Amp with Volume Control
• 3.5mm Headphone Jack
• Phantom Power
• Switchable 12V/OFF/48V Phantom Power
• VU Meter
• Fast Acting Limiters
• Gain Switch for Each Channel

• or Mobile Journalist, Videographer
• ME 2-II Omnidirectional Lav Mic
• Rugged Bodypack Transmitter
• Diversity Camera-Mount Receive

Class D בידורית ניידת בעלת אלמנט וופר בקוטר של 12″  טוויטר בקוטר 1.75″, מגבר

סוללה חזקה אשר מסוגלת לעבוד עד 10 שעות בעצמה גבוהה ללא צורך בחיבור לחשמל

סוללה נטענת חזקה במיוחד עם אופציית הטעינה המהירה אשר מאפשרת לכם להטעין את הבידורית

בפרק זמן של 3 שעות והסוללה טעונה מחדש

UHF זוג מיקרופונים אלחוטיים  בעלי טווח קליטה שידור נקי של עד 80 מטר ופועלים בטכנולוגיית שידור

המספקת סינון רעשי רקע שונים ותדרים לא רצויים

The XT420 radio  offering 8 channels and 219 user selectable

privacy codes to help ensure a clear signal.

• DSLR-ready: Switchable mic/line output + build-in microphone for reference sound
• Generates all SMPTE timecode rates: 23.98, 24, 25, 29.97, 29.97DF and 30 FPS
• Compatible with all professional equipment: Uses LTC timecode according to SMPTE-12M standard
• High precision TCXO:  Inaccuracy less than 1 frame in 24 hours
• Can act as master clock (Green Mode) or jam-sync to any external timecode source (Red Mode)
• Automatically detects and takes over incoming frame rate on jam-sync (planned feature)
• Built-in rechargeable lithium polymer battery, lasts for up to 40 hrs, fast charging via USB (1.5 hrs)

• Time Code & Word Clock
• Compatible with Standard Frame Rates
• TCXO
• Battery-Powered

Lockit Buddy is a small device that takes care of the level and impedance conversions needed to record an accurate and dependable time code signal and confidence audio track to Digital SLR Camera’s when these are used for video acquisition. All connections to and from the Lockit Buddy are made with gold plated contacts to ensure a trouble free long life with minimal signal loss and its sturdy metal casing provides optimum shielding from hum. It will accept standard SMPTE LTC via the in built BNC connector, and left and right unbalanced line level audio signal via the 3-pin Mini XLR connector. Note that Lockit Buddy itself does not generate any signals.

The Proxtone Spirit 1000 Is A Mid Size , Powerfull Portable PA System,

The Spirit 1000 Is Equipped With 2 Wireless UHF MicrophoneS

And Providing A Great Sound With Many Feature

  Bloutooth, SD Card Or By Cables

• Used for sound insulation or to block light
• Versatile in production industry
• Can be used to protect equipment during transportation
• Size: 180×200 cm

XLR microphone adaptor for professional video production (LUMIX GH5 Compatible)

Input: Analog, XLR Jack x 2 terminals

Output: Digital, I2S format, Fs = 48 k or 96 kHz, Bit depth = 16 or 24 bit.

An integrated cable clamp keeps cables out of the way.

DC power is supplied by the camera body via a shoe connector.

Directivity Cardioid : front side of hemisphere

Transducer Self: polarized condenser

Frequency range: 60Hz – 15kHz

Sensitivity: (nominal at 1kHz) 40mV/Pa (-28dB,0dB=1V/Pa)

Equivalent noise level: (A-weighted) 16dB-A Max SPL (1% THD) 120dB SPL

Output impedance at 1kHz: 180Ω Powering +48±4V phantom

Current consumption: less than 1.8mA

Weight 45g (including cable) , 55g (48V I/F)

Dimensions:  32.5mm (diameter) X 14.0mm

Surface finish: CUB-01-BE = baked painting / beige CUB-01-GY= baked painting / gray

Connector: XLR-3M

Sony ECM-NV1 Short Monoaural Electolet Condenser Microphone with XLR Connection

• ME36 Microphone Capsule
• MZH3015 Short Gooseneck
• 15 cm long
• XLR connection

• High directivity
• Flexible positioning
• MS-100 metal base
• Push On/Off switch
• XLR connection

• SKM 100 G3 With e 835 Capsule
• Works with EK100 G3 Bodypack Receiver
• Auto Frequency Scan Finds Open Bands
• 3 Level Squelch To Block Interference
• 20 Banks With 12 Channel Presets Each
• Compander for Clearer Sound
• Auto-Lock Prevents Accidental Adjustment
• 2 AA Size Batteries 1.5v

• Frequency Block 26
• Dual-Receiver Design for Two Channels
• Tracking Front-End Filters
• Tunes Over a 75 MHz Range
• LCD with RF Spectrum Scanning
• SmartSquelch DSP-Controlled
• DSP-Based Pilot Tone
• IR Sync Port for Quick Transmitter Setup
• SmartTune Frequency Selection
• Super Miniature Wireless Microphone Transmitter
• Splash-Proof, Machined Aluminum Housing
• Non-Corrosive, Damage-Resistant Finish

• 40mm Neodymium Drivers
• Closed Design
• Swiveling Earcups
• Single-Sided Cable
• Coiled Cable
• Soft Case

• 30mm driver units and a lightweight ferrite magnite provide full-range sound with deep bass
• Reversible earcups allow single-sided monitoring, for DJing applications, mono mix checking, etc.
• Frequency response: 18 Hz – 22 kHz

• Block 21/22/26
• Digital Hybrid Wireless® (U.S. Patent #7,225,135)
• SmartSquelch™
• SmartDiversity™
• 256 selectable UHF frequencies
• Auto-tracking front-end filters
• DSP-based pilot tone
• Graphics type backlit LCD display
• Balanced XLR audio output
• Internal batteries or external DC powering options
• Compatiblity modes for use with analog transmitters

Overcomes digital transmitter RFIGreat Clear and Rich Sound

Great Clear and Rich Sound

3 Color Choices Black, White and BeigeImproved Moisture Resistance

Improved Moisture Resistance

Optimised for the Human Voice

Available for both Lectrosonic and Sennheiser Wireless Systems.

• Extremely low inherent self-noise
• High sensitivity
• High directivity throughout the whole frequency range
• Transformerless and fully floating balanced output
• Infra-sonic cut-off filter
• Symmetrical transducer technology ensures extremely low distortion
• Switchable pre-attenuation, switchable roll-off filter and switchable treble emphasis
• Rugged and weather-proof
• Black, anodised light metal body

• Cardioid & Hypercardioid Polar Pattern
• Pre-Polarized Design
• Gold-Sputtered Capsule Housing
• Switchable 10 dB Pad
• Switchable Low-Cut Filter at 80 Hz
• Three Frequency-Response Settings
• Powered by Phantom or Two AA Batteries
• 120-Hour Battery Life
• Humidity-Protected

• High-Quality Live Vocal Microphone
• Dynamic Cardioid
• Internal Shockmount
• Built-In Spherical Wind and Pop Filter
• Frequency Response: 50 Hz to 15 kHz
• Includes Storage Pouch and Mic Clip

• Subminiature Lavalier Design
• Small, Inconspicuous Mounting Hardware
• Low Distortion, Wide Dynamic Range
• Inconspicuous Preamplifier
• Omnidirectional Polar Pattern

• 33″ Boom
• Industry Standard for 30 Years

• Compact Time Code Slate
• Color Clapper
• EL Backlit
• Jams to All Standard Frame Rates

• Fits on C-Stands and Mic Stands
• Holds Boom Pole In Fixed Position
• Hands Free Operation
• Coated To Protect Your Boompole
• Extra-Wide Yoke Permits Easy Positioning
• No Clamping Jaws to Stress Your Boompole
• Reduces Operator Fatigue

• 6 Two Way BP200 Beltpack Tranceivers
• 6 Headsets Earphone+Mic
• 12 Rechargeable Lithium Ion  Batteries
• Base Station w/2 antennas
• AC40A Battery Charger, manual
• Hands-free, full-duplex mode

• Recharchable Internal Battery
• 2 Wireless Dynamic Microphones
• FM Radio, CD Player, USB MP3

• Magnetically shielded type 10cm full range speaker
• In-built 10W RMS power amplifier (8 ohm load)
• Power on/off switch
• Rotary level control
• EXT SP terminal
• Automated protection circuit
• Lightweight yet rugged enclosure
• Compact size & high quality sound output

Transmits on Block 26

For Broadcast, EFP and ENG Applications

Accepts Mic or Line-Level Signals

Low Frequency Roll-Off

Powered by Two AA Batteries

Built-In Antenna

42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception.

Enhanced frequency bank system with up to 12 compatible frequencies

Adaptive-diversity reception for high reception quality

Pilot tone squelch for eliminating RF interference when transmitter is turned off

Enhanced AF frequency range

Increased range for audio sensitivity

Transmitter and receiver feature battery indication in 4 steps.

Powered by 4 AA batteries (for both the transmitter and the receiver).

The EW 100-ENG G2 system is ideal for video recording in the most varied recording situations.

The ME 2 clip-on microphone is virtually invisible.

The extremely small SK 100 G2 bodypack transmitter as well as the EK 100 G2 camera receiver feature nine frequency banks with four directly accessible presets each – ready for immediate use

• Metal Construction
• Selectable Tuning
• Pilot Tone Squelch
• Wireless Transmitter Sync
• Illuminated Graphic Display
• Uses AA Batteries

• 30mm Dynamic Dome Drivers
• 12 to 22,000 Hz Frequency Response
• Earcups Swivel and Fold For Portability
• Flat Cable Helps Reduce Tangles

Variable sizes and colors

Short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications.

Dimensions Ø 19 x 250 mm

Frequency response (Microphone)40 – 20000 Hz

Sensitivity in free field, no load (1kHz) 25 mV/Pa +- 1 dB

• Two high-performance XLR-input microphone channels
• Multi Interface Shoe compatible
• Comprehensive audio controls for each channel
• Mic/Line input selector
• Built-in microphone holder for supplied ECM-XM1 microphone
• Supplied windscreen effectively reduces wind noise
• Zippered carrying case

Various sizes and modifications – boom poles from K-Tek leading company.

• S – 1.9m
• M – 2.7m
• L – 3.7M
• XL – 5.45m

The Modular Windshield System offers various levels of wind protection and maximum shock isolation. Available in complete, comprehensive kits, modular components. The available configurations enable almost any microphone to be shock-mounted while offering varying degrees of wind protection.