Sound Device 788T+CL8
Internal 250 GB, SSD HD
Sampling rate select-able up to 96 kHz
Eight mic/line inputs, each controlled with front panel, pop-out gain controls
Twelve recording tracks •
Each input has solo monitoring, 48 V phantom, limiter, polarity reverse, highpass, adjustable delay, selectable pan
8 x 2 mix assignment
Backlit LCD display viewable in any environment
8 x 13-segment Peak/VU meters with arm LED
Word clock in and out with video sync support
Full +24 dBu analog line-level outputs
Time code generator supports all data rates
Internal Li-ion battery holds time code for six hours with no attached power
CompactFlash slot with ultra-high-speed UDMA support
Powered by removable Li-ion rechargeable battery. •
FireWire 400/800 and USB 2.0 for ultra-fast connection of CF and HDD to computer
External DC power input operates unit and charges Li-ion battery
Sound Device 633
Six analog inputs (3+3)
+12, +48, and +10V Digital Phantom Power
Three full-featured mic/line preamps plus three line-level inputs, each with dedicated front-panel faders and PFLs
10-track recording, polyphonic or monophonic broadcast WAV files @ 24-bit 48 kHz (96 kHz and 192 kHz sampling for 6 tracks), time code stamped MP3
Simultaneous or independent recording to SD and CompactFlash card
6 mix buses, left/right main plus Aux 1/2/3/4
Accurate Time Code Master Clock generator and reader, 0.5 frame per day accuracy
USB Keyboard connection for quick and easy metadata entry.
Input delay selectable on all six inputs plus output bus delay on all six buses.
Dimensions: 6 cm x 24 cm x 14 cm (H x W x D); 5.6”
Weight: 1.1 kg ( without batteries)
Sound Devices 302 Audio Mixer
Powered by 3 AA batteries or external 5 – 18 VDC
3 transformer-balanced mic or line-level inputs
Lundahl transformer-balanced mic or line level inputs on XLR connectors
Continuously adjustable input trim
2-position highpass filter
Limiters on inputs and outputs
Stereo and MS linking of channel 1 and 2
Phantom (48V or 12V) or “T” microphone powering selected per channel
Solo (PFL) channel monitoring in headphones
Peak limiters per channel
Tape level output on TA3 locking connectors
Active-balanced line/tape/mic level outputs on XLR connectors
Stereo tape level output on TA3 connector
Return input for monitoring
Channel 4/5 input option
Weight less than 1 kg with batteries
Zoom H1 Ultra-Portable Digital Audio Recorder
- X/Y Stereo Mic
- Records WAV and MP3 up to 24-bit/96kHz
- WAV: 44.1 / 48 / 96kHz, 16- / 24-bit
- MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
- Records to microSD (16MB – 2GB)/SDHC (4GB – 32GB)
- 3.5mm I/O
- High-Speed USB 2.0 Connectivity
- Backlit LCD Display
- Built-In Speaker
- Uses 1 AA Battery
- Threaded Tripod Mount Socket
- Dimensions:44(W) x 136(D) x 31(H)mm
- Weight: 60g (without batteries
Wendt Analog Audio Mixer
Analog Wendt Audio Mixer.
Available both 4 and 5 input channel devices.
Lectrosonics Plug-On Wireless Transmitter
Transmits on Block 26
For Broadcast, EFP and ENG Applications
Accepts Mic or Line-Level Signals
Low Frequency Roll-Off
Powered by Two AA Batteries
Overcomes digital transmitter RFIGreat Clear and Rich Sound
Great Clear and Rich Sound
3 Color Choices Black, White and BeigeImproved Moisture Resistance
Improved Moisture Resistance
Optimised for the Human Voice
Available for both Lectrosonic and Sennheiser Wireless Systems.
Sennheiser ew 100-ENG G3
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception.
Enhanced frequency bank system with up to 12 compatible frequencies
Adaptive-diversity reception for high reception quality
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Enhanced AF frequency range
Increased range for audio sensitivity
Transmitter and receiver feature battery indication in 4 steps.
Powered by 4 AA batteries (for both the transmitter and the receiver).
Sennheiser 416 Shotgun microphone
Short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications.
Dimensions Ø 19 x 250 mm
Frequency response (Microphone)40 – 20000 Hz
Sensitivity in free field, no load (1kHz) 25 mV/Pa +- 1 dB
The EW 100-ENG G2 system is ideal for video recording in the most varied recording situations.
The ME 2 clip-on microphone is virtually invisible.
The extremely small SK 100 G2 bodypack transmitter as well as the EK 100 G2 camera receiver feature nine frequency banks with four directly accessible presets each – ready for immediate use
XLR Adaptor Kit XLR-K2M
- Two high-performance XLR-input microphone channels
- Multi Interface Shoe compatible
- Comprehensive audio controls for each channel
- Mic/Line input selector
- Built-in microphone holder for supplied ECM-XM1 microphone
- Supplied windscreen effectively reduces wind noise
- Zippered carrying case
Various sizes and modifications – boom poles from K-Tek leading company.
Various Boom Mic Covers
The Modular Windshield System offers various levels of wind protection and maximum shock isolation. Available in complete, comprehensive kits, modular components. The available configurations enable almost any microphone to be shock-mounted while offering varying degrees of wind protection.