Model: MON-702
Input: SDI, HDMI
Output: SDI, HDMI
Display: 7-inch, 1920×1080, 1000nits with anti-reflective coating

16.5" SONY PVM A170

The PVM-A170 17-inch, Full HD monitor achieves the industry-leading lightweight and shallow body*, with a approximately 40 per cent reduction compared to the previous PVM-1741A model. It is easy to carry, even by one person. The PVM-A170 incorporates the TRIMASTER EL™ OLED panel and offers the industry’s widest viewing angles of any professional flat-panel monitor on the market, making group monitoring easy. The stylish new design also includes a, robust, optional protection panel and corner bumpers**. The latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process. Version 2.0 of the PVM-A170 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications.

Atomos Sumo 19" Recording Monitor


Size 19″

Resolution 1920X1200

PPI 120

4K UHD downscale for HD monitoring – Loop-out and playback (not for RAW)

Supported Codecs & Frame Rates (Record & Playback)

FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p

4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p

Canon:C300MKII/C500 CDNG

Avid DNxHD:

4K DCI; 24/25/30p
4K UHD; 24/25/30p

VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

Audio In/Out (48kHz PCM Audio):

HDMI, SDI, 2ch balanced XLR analog in/out (direct XLR connection)

Headphone Out: 3.5mm

Built-In Speakers

Supported Video Signal Conversion

Operating Power 75W

Compatible batteries: V-Lock / Anton Bauer via XLR terminal
(optional mounting plates available)
95Wh or larger recommended.





Panasonic "17

  • The monitor compensates for RGB accuracy in 256 discrete steps.
  • Analog and Digital Inputs
  • This monitor is compatible with multiple HD and SD formats. Two SDI inputs with automatic switching between HD and SD comes standard.
  • The monitor is also equipped with one SDI output, a Component input (Y/Pb/Pr) with RGB switching, Y/C and Composite Video.
  • The RGB input selection is compatible with computer input.
  • Waveform Monitoring
  • A frame of video can easily be frozen and displayed as a still image on the left side of the screen.
  • Split Screen



Tv logic "17

  • 1366×768 Resolution
  • 900:1 Contrast Ratio
  • 2 x HD/SD SDI inputs
  • 1 x HD/SD through-out
  • 1 x DVI-I input (W/HDCP)
  • Analog Component/Composite/S-Video/RGB Inputs
  • 1:1 pixel mapping modes for SD/HD
  • Audio Disembedder & Speakers
  • Optional 19” Rack Mount Kit available

Panasonic 8.4" LCD HDMI/SDI

  • LCD monitor for playback of HD/SD multi-format signals
  • Lightweight at 4.4 lbs (2Kg)
  • 4:3 aspect ratio, 1024×768 (XGA) panel
  • Approximately 16.77 million colors
  • Multi-format: 1080/24/25P, 1080/60/50i, 720p, 576i and 480i/p auto selectable
  • Real-time waveform monitoring function in 16×9 mode
  • Independent control knobs for brightness, contrast, chroma, peaking/phase
  • Power requirements: DC12V (11-17V) 22.8W includes low battery warning
  • Equipped with marker, underscan, anamorphic and blue-only functions

Atomos SHOGUN INFERNO 7" 4K Recorder

  • 1920 x 1200 resolution
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic De-Squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • 4K UHD downscale for HD monitoring
  • 4K HDMI and 12G-SDI inputs/outputs
  • 4x 3G-SDI inputs (or single 12G-SDI)
  • SDI/HDMI cross-conversion
  • Genlock/LTC input
  • Audio breakout cable for XLR audio input
  • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
  • 1080p recording up to 240 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • Audio level meters and mic level adjustment

Swit "5.5 FHD Waveform LCD Monitor

  • 5.5” LCD, 1920×1080 full HD
  • Optical bonding LCD panel
  • All metal housing, thinner and robust
  • 2K/3G/HD/SD-SDI input and loop out
  • HDMI input and converted to SDI out
  • 16-ch Embedded audio meters with alert
  • Select any 2 audio channels to output
  • Waveform Y/Cb/Cr/R/G/B and single line
  • Vector scope, histogram R/G/B/Y
  • Peaking focus assist (dual color)
  • AFD, timecode, H/V delay, Zebra stripes
  • Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
  • False color, R/G/B/Mono, 100% colorbar
  • Various DV battery plate install
  • All Metal Housing
  • Built-In HDMI to SDI Conversion
  • Waveform/Vector Scope/Histogram

Small HD "5

  • Full HD, 1920×1080
  • HD Waveform, Vectorscope, and Histogram
  • Headphone Jack
  • Still Image Capture
  • Audio Meters
  • Custom Zebra
  • Peaking
  • HDMI and SDI inputs and outputs, and cross converts between them
  • Pixel Zoom
  • DSLR Scale
  • Anamorphic De-Squeeze
  • You can apply a 3D LUT to the monitor and still view your video in real-time

TV logic "5.6

  • The VFM-056WP is ideal for HD-SLR production.
  • 5.6” 1280×800 LED backlit LCD display.
  • DSLR Scale
  • Focus Assist
  • Various Scan Models
  • Markers
  • Audio Level Metering with speaker
  • Time code Display
  • HDMI loop out via HD-SDI(720p)
  • WaveformVector Scope
  • Y Level Check
  • Range Error Check.

MAG "42


  • For clients and directors view and reference
  • VGA & HDMI Video Inputs


"24 LCD

  • For clients and directors view and reference
  • 1920×1080 Resolution
  • HDMI/DVI/VGA Input
  • 2.5″ Pin / VESA Mount