
Monitors
Monitor-LMD-A240
LMD-A240 supports EOTFs of ITU-R BT.2100(HLG)**,
SMPTE ST2084, S-Log 3, S-Log3(Live HDR), S-Log2 and 2.4(HDR).
When selecting one of the HDR EOTFs, the monitor automatically sets
the backlight of its panel to the maximum luminance.
16.5" SONY PVM A170
The PVM-A170 17-inch, Full HD monitor achieves the industry-leading lightweight and shallow body*, with a approximately 40 per cent reduction compared to the previous PVM-1741A model. It is easy to carry, even by one person. The PVM-A170 incorporates the TRIMASTER EL™ OLED panel and offers the industry’s widest viewing angles of any professional flat-panel monitor on the market, making group monitoring easy. The stylish new design also includes a, robust, optional protection panel and corner bumpers**. The latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process. Version 2.0 of the PVM-A170 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications.
Panasonic "17
- The monitor compensates for RGB accuracy in 256 discrete steps.
- Analog and Digital Inputs
- This monitor is compatible with multiple HD and SD formats. Two SDI inputs with automatic switching between HD and SD comes standard.
- The monitor is also equipped with one SDI output, a Component input (Y/Pb/Pr) with RGB switching, Y/C and Composite Video.
- The RGB input selection is compatible with computer input.
- Waveform Monitoring
- A frame of video can easily be frozen and displayed as a still image on the left side of the screen.
- Split Screen
Atomos Sumo 19" Recording Monitor
TouchScreen
Size 19″
Resolution 1920X1200
PPI 120
4K UHD downscale for HD monitoring – Loop-out and playback (not for RAW)
Supported Codecs & Frame Rates (Record & Playback)
Sony
FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
Canon:C300MKII/C500 CDNG
Avid DNxHD:
4K DCI; 24/25/30p
4K UHD; 24/25/30p
Panasonic
VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Audio In/Out (48kHz PCM Audio):
HDMI, SDI, 2ch balanced XLR analog in/out (direct XLR connection)
Headphone Out: 3.5mm
Built-In Speakers
Supported Video Signal Conversion
Operating Power 75W
Compatible batteries: V-Lock / Anton Bauer via XLR terminal
(optional mounting plates available)
95Wh or larger recommended.
ATOMOS NINJA V "5
Ninja V records directly from your camera’s sensor to a wide range of codecs:
Apple ProRes, ProRes RAW, Avid DNx and H.265 (HEVC)*.
This provides wide compatibility across camera types and edit software,
giving you a new degree of creative control long before you press record.
Panasonic 8.4" LCD HDMI/SDI
- LCD monitor for playback of HD/SD multi-format signals
- Lightweight at 4.4 lbs (2Kg)
- 4:3 aspect ratio, 1024×768 (XGA) panel
- Approximately 16.77 million colors
- Multi-format: 1080/24/25P, 1080/60/50i, 720p, 576i and 480i/p auto selectable
- Real-time waveform monitoring function in 16×9 mode
- Independent control knobs for brightness, contrast, chroma, peaking/phase
- Power requirements: DC12V (11-17V) 22.8W includes low battery warning
- Equipped with marker, underscan, anamorphic and blue-only functions
Atomos SHOGUN INFERNO 7" 4K Recorder
-
- 1920 x 1200 resolution
- AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
- Supports custom 3D LUTs (.cube format)
- Anamorphic De-Squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
- 4K UHD downscale for HD monitoring
- 4K HDMI and 12G-SDI inputs/outputs
- 4x 3G-SDI inputs (or single 12G-SDI)
- SDI/HDMI cross-conversion
- Genlock/LTC input
- Audio breakout cable for XLR audio input
- UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
- 1080p recording up to 240 fps
- 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
- 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
- Pre-roll record (HD 8 seconds, 4K 2 seconds)
- Custom time-lapse mode
- Audio level meters and mic level adjustment
SMALL HD 702
Model: MON-702
Input: SDI, HDMI
Output: SDI, HDMI
Display: 7-inch, 1920×1080, 1000nits with anti-reflective coating
Swit "5.5 FHD Waveform LCD Monitor
- 5.5” LCD, 1920×1080 full HD
- Optical bonding LCD panel
- All metal housing, thinner and robust
- 2K/3G/HD/SD-SDI input and loop out
- HDMI input and converted to SDI out
- 16-ch Embedded audio meters with alert
- Select any 2 audio channels to output
- Waveform Y/Cb/Cr/R/G/B and single line
- Vector scope, histogram R/G/B/Y
- Peaking focus assist (dual color)
- AFD, timecode, H/V delay, Zebra stripes
- Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
- False color, R/G/B/Mono, 100% colorbar
- Various DV battery plate install
- All Metal Housing
- Built-In HDMI to SDI Conversion
- Waveform/Vector Scope/Histogram
Small HD "5
-
- Full HD, 1920×1080
- HD Waveform, Vectorscope, and Histogram
- Headphone Jack
- Still Image Capture
- Audio Meters
- Custom Zebra
- Peaking
- HDMI and SDI inputs and outputs, and cross converts between them
- Pixel Zoom
- DSLR Scale
- Anamorphic De-Squeeze
- You can apply a 3D LUT to the monitor and still view your video in real-time
TV logic "5.6
- The VFM-056WP is ideal for HD-SLR production.
- 5.6” 1280×800 LED backlit LCD display.
- DSLR Scale
- Focus Assist
- Various Scan Models
- Markers
- Audio Level Metering with speaker
- Time code Display
- HDMI loop out via HD-SDI(720p)
- WaveformVector Scope
- Y Level Check
- Range Error Check.
"24 LCD
- For clients and directors view and reference
- 1920×1080 Resolution
- HDMI/DVI/VGA Input
- 2.5″ Pin / VESA Mount
ATEM switcher Television Studio Pro 4K
ATEM Television Studio Pro 4K is the first live production switcher
designed for both broadcasters and AV professionals.
With 8 independent 12G-SDI inputs, ATEM Television Studio Pro 4K
can handle all popular HD and Ultra HD formats up to 2160p60.
Each input features re-sync as well as a full low latency standards converter so the input
is automatically adapted to the switcher’s format.
ATEM Mini Pro-blackmagic
Powerful live switcher with 4 HDMI inputs, hardware streaming engine,
recording to USB disks, USB webcam out, audio mixer, 2D DVE,
transitions, green screen chroma key, 20 stills for titles and more!