LMD-A240 supports EOTFs of ITU-R BT.2100(HLG)**,

SMPTE ST2084, S-Log 3, S-Log3(Live HDR), S-Log2 and 2.4(HDR).

When selecting one of the HDR EOTFs, the monitor automatically sets

the backlight of its panel to the maximum luminance.

16.5" SONY PVM A170

The PVM-A170 17-inch, Full HD monitor achieves the industry-leading lightweight and shallow body*, with a approximately 40 per cent reduction compared to the previous PVM-1741A model. It is easy to carry, even by one person. The PVM-A170 incorporates the TRIMASTER EL™ OLED panel and offers the industry’s widest viewing angles of any professional flat-panel monitor on the market, making group monitoring easy. The stylish new design also includes a, robust, optional protection panel and corner bumpers**. The latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process. Version 2.0 of the PVM-A170 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications.

Panasonic "17

  • The monitor compensates for RGB accuracy in 256 discrete steps.
  • Analog and Digital Inputs
  • This monitor is compatible with multiple HD and SD formats. Two SDI inputs with automatic switching between HD and SD comes standard.
  • The monitor is also equipped with one SDI output, a Component input (Y/Pb/Pr) with RGB switching, Y/C and Composite Video.
  • The RGB input selection is compatible with computer input.
  • Waveform Monitoring
  • A frame of video can easily be frozen and displayed as a still image on the left side of the screen.
  • Split Screen



Atomos Sumo 19" Recording Monitor


Size 19″

Resolution 1920X1200

PPI 120

4K UHD downscale for HD monitoring – Loop-out and playback (not for RAW)

Supported Codecs & Frame Rates (Record & Playback)

FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p

4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p

Canon:C300MKII/C500 CDNG

Avid DNxHD:

4K DCI; 24/25/30p
4K UHD; 24/25/30p

VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera

Audio In/Out (48kHz PCM Audio):

HDMI, SDI, 2ch balanced XLR analog in/out (direct XLR connection)

Headphone Out: 3.5mm

Built-In Speakers

Supported Video Signal Conversion

Operating Power 75W

Compatible batteries: V-Lock / Anton Bauer via XLR terminal
(optional mounting plates available)
95Wh or larger recommended.






Ninja V records directly from your camera’s sensor to a wide range of codecs:

 Apple ProRes, ProRes RAWAvid DNx and H.265 (HEVC)*.

This provides wide compatibility across camera types and edit software,

giving you a new degree of creative control long before you press record.

Panasonic 8.4" LCD HDMI/SDI

  • LCD monitor for playback of HD/SD multi-format signals
  • Lightweight at 4.4 lbs (2Kg)
  • 4:3 aspect ratio, 1024×768 (XGA) panel
  • Approximately 16.77 million colors
  • Multi-format: 1080/24/25P, 1080/60/50i, 720p, 576i and 480i/p auto selectable
  • Real-time waveform monitoring function in 16×9 mode
  • Independent control knobs for brightness, contrast, chroma, peaking/phase
  • Power requirements: DC12V (11-17V) 22.8W includes low battery warning
  • Equipped with marker, underscan, anamorphic and blue-only functions

Atomos SHOGUN INFERNO 7" 4K Recorder

  • 1920 x 1200 resolution
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic De-Squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • 4K UHD downscale for HD monitoring
  • 4K HDMI and 12G-SDI inputs/outputs
  • 4x 3G-SDI inputs (or single 12G-SDI)
  • SDI/HDMI cross-conversion
  • Genlock/LTC input
  • Audio breakout cable for XLR audio input
  • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
  • 1080p recording up to 240 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • Audio level meters and mic level adjustment


Model: MON-702
Input: SDI, HDMI
Output: SDI, HDMI
Display: 7-inch, 1920×1080, 1000nits with anti-reflective coating

Swit "5.5 FHD Waveform LCD Monitor

  • 5.5” LCD, 1920×1080 full HD
  • Optical bonding LCD panel
  • All metal housing, thinner and robust
  • 2K/3G/HD/SD-SDI input and loop out
  • HDMI input and converted to SDI out
  • 16-ch Embedded audio meters with alert
  • Select any 2 audio channels to output
  • Waveform Y/Cb/Cr/R/G/B and single line
  • Vector scope, histogram R/G/B/Y
  • Peaking focus assist (dual color)
  • AFD, timecode, H/V delay, Zebra stripes
  • Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
  • False color, R/G/B/Mono, 100% colorbar
  • Various DV battery plate install
  • All Metal Housing
  • Built-In HDMI to SDI Conversion
  • Waveform/Vector Scope/Histogram

Small HD "5

  • Full HD, 1920×1080
  • HD Waveform, Vectorscope, and Histogram
  • Headphone Jack
  • Still Image Capture
  • Audio Meters
  • Custom Zebra
  • Peaking
  • HDMI and SDI inputs and outputs, and cross converts between them
  • Pixel Zoom
  • DSLR Scale
  • Anamorphic De-Squeeze
  • You can apply a 3D LUT to the monitor and still view your video in real-time

TV logic "5.6

  • The VFM-056WP is ideal for HD-SLR production.
  • 5.6” 1280×800 LED backlit LCD display.
  • DSLR Scale
  • Focus Assist
  • Various Scan Models
  • Markers
  • Audio Level Metering with speaker
  • Time code Display
  • HDMI loop out via HD-SDI(720p)
  • WaveformVector Scope
  • Y Level Check
  • Range Error Check.

MAG "42


  • For clients and directors view and reference
  • VGA & HDMI Video Inputs


"24 LCD

  • For clients and directors view and reference
  • 1920×1080 Resolution
  • HDMI/DVI/VGA Input
  • 2.5″ Pin / VESA Mount

ATEM switcher Television Studio Pro 4K

ATEM Television Studio Pro 4K is the first live production switcher

designed for both broadcasters and AV professionals.

With 8 independent 12G-SDI inputs, ATEM Television Studio Pro 4K

can handle all popular HD and Ultra HD formats up to 2160p60.

Each input features re-sync as well as a full low latency standards converter so the input

is automatically adapted to the switcher’s format.

ATEM Mini Pro-blackmagic

Powerful live switcher with 4 HDMI inputs, hardware streaming engine,

recording to USB disks, USB webcam out, audio mixer, 2D DVE,

transitions, green screen chroma key, 20 stills for titles and more!